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Amazon.com Review
An Amazon Best Book of the Month, March 2014: Here’s a reason Lorrie Moore is so beloved by her baby boomer brethren: she’s smart, she’s funny, her eye is even sharper than her tongue. In Bark, her latest collection of stories, all those qualities are well on display. “He had never been involved with the mentally ill before,” she writes of her mid-life anti-hero in the (sort-of) title story, "Debarking." "[B]ut he now felt more than ever that there should be strong international laws against them being too good looking.” Acerbic? Check. Knowing? Check. Says out loud on the page what we less talented, less observant mere mortals wish we could form so well in thought? Check. Check. Check. The only reason not to read these seven stories is that, perhaps, they’re just too accurate and perceptive about the way we live now--but then, why would you ever want to read stories that were anything else? --Sara Nelson
From Booklist
*Starred Review* Moore’s first collection of short stories, the uncommonly perceptive and energetically articulate Birds of America (1998), established her prominent place in the renaissance of the American short story that made itself heard with great innovation in the 1980s and 1990s. Since then, she has alternated between story collections and novels, and now a new compilation of stories will add support to the widely held opinion that the short form is her true forte. Her talent is best exhibited in the collection’s longest stories (each around 40 pages); her comfort with that length is indicated by her careful avoidance of overplotting, which, of course, dulls the effect of an expansive short story, and by not allowing the stories to seem like the outlines of novels that never got developed. These two examples of her proficiency shine: “Debarking” is about a divorced man who enters the dating scene only to experience complications with the is-she-crazy woman he starts dating and also within himself, as intimacy seems the natural antidote to “global craziness”; “Wings” concerns husband-and-wife musicians whose dreams haven’t panned out. A major ingredient of Moore’s tales of troubled lives is an abiding humor, which serves to protect her characters, in all their frailties, from grating on the reader as too pathetic. HIGH-DEMAND BACKSTORY: An extensive author tour will attract many Moore enthusiasts and generate both publicity and sales. --Brad Hooper
Review
A Frank O’Connor International Short Story Prize Finalist
“Uncanny. . . . Moving. . . . A powerful collection.” —The Washington Post
“Moore’s one of the country’s most admired writers. . . . [Bark] shows off a true advance of Moore’s powers and offers some first-rate reading pleasure.” —NPR
“[Bark is] a book to which people will refer back to understand life as we lived it in the past ten years.” —Salon
“Her stories, her stories, are perfect.” —Slate
“Here is why one reads Moore: the terse, true polish of her emotional wisdom.” —The Boston Globe
“Probably no writer since Nabokov has been as language-obsessed as Moore. . . . [Bark] lets us contemplate and savor just what makes her work unique.” —The New York Times Book Review (cover)
“Irresistible.” —Minneapolis Star Tribune
“100% brilliant, as usual. . . . Moore has come to enjoy the unusual distinction of being just about the darkest light writer around. Unhappiness, heartbreak, illness, grief, disappointment—who’d have thought they could be so much fun?” —Geoff Dyer, The Observer (London)
“Extraordinary. . . . Moore’s construction of a sentence, a paragraph, a page, is rarely less than exhilarating. . . . There is a moral nobility to Moore’s assertion that even the least brilliant of lives deserve to be brilliantly documented. . . . Moore does not make us feel better; she hurts us. But she hurts us in vital, generous ways, and it is testament to the brilliance of her writing that we let her.” —The Times Literary Supplement (London)
“If you adore Lorrie Moore, as so many of us do, you’ll find much to enjoy in her new collection. . . . All the sparkly balls are in play—puns, politics, pop culture details, sometimes all at once.” —Newsday
“If you had to criticize one thing about Lorrie Moore—and I don’t know why you would, because she’s awesome—it might be that her humor and her world-weary sense of the absurd are almost too distinctive. . . . But I don’t have the heart to really complain about any of this: I’ve been addicted to Moore’s voice for a long time now and want more, not less, of it.” —Entertainment Weekly
“Laugh-out-loud funny. . . . Reading the stories one after another is a reminder of her uncanny ability to sum up, in a sentence or two, the truths that might take a lifetime to grasp.” —Houston Chronicle
“Lorrie Moore’s writing is strange and wonderful. It should be among anyone’s top reasons for being alive.” —PopMatters
“A vital work of literature.” —Electric Literature
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